Bach Bibliography Search Result - Ordered Chronologically

Author : Davis, Stacey
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Davis, Stacey:   Implied polyphony in the unaccompanied string works of J.S. Bach: A rule system for discerning melodic strata. [cr]ESCOM_Keele (2000)
	2.	Davis, Stacey:   Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. diss. (2001), 266p. PhD diss. Northwestern University, 2001, 266p. Advisor: Richard Ashley.
	3.	Davis, Stacey:   Implied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. MPerception 23/5 (Jun 2006), 423-446.
	4.	Davis, Stacey:   Bring out the counterpoint: Exploring the relationship between implied polyphony and rubato in Bach's solo violin music. PsycholM 37/3 (Jul 2009), 301-324.
	5.	Davis, Stacey:   Stream segregation and perceived syncopation: Analyzing the rhythmic effects of implied polyphony in Bach's unaccompanied string works. MTheoryOnline 17/1 (Apr 2011) http://www.mtosmt.org/issues/mto.11.17.1/mto.11.17.1.davis.html
	6.	Davis, Stacey:   The Analysis and Performance of Implied Polyphony in Solo Bach. [p]BICB_Canterbury (Jul 2016) A paper read at the 17th Biennial International Conference on Baroque Music held at Canterbury Christ Church University, 13-17 July 2016. Abstract on p. 51.
	7.	Davis, Stacey:   Creating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. UnderstandingBach 12 (2017), 59-84.
	8.	Davis, Stacey:   Teaching Rhythm and Meter with the Moto Perpetuo Movements from Bach's Unaccompanied Instrumental Works. Bach 49/2 (2018), 311-329. Roundtable: Bach in the Music Theory Classroom